We were considering Eastern Europe for some time, and the rise to power of the ultra-conservative and euro-sceptical PiS party in the autumn of 2015 finally convinced us to reach out and breathe in some of Poland’s air. We travelled to Poland last spring and visited galleries, museums and foundations. We met artists, critics and curators, and discovered passionate people entirely dedicated to their projects, but many of whom were worried about the shift in public cultural policy. We experienced a nation profoundly marked by the double experience of Nazism and Communism. Most – if not all – of our contacts mentioned it. We have called upon the top experts on Poland and Polish art for this serious and in-depth exploration: Krzysztof Candrowicz, mentioned above, but also Karolina Lewandowska, curator of photography at the Centre Pompidou, curator Paweł Szypulski and writer Jean-Yves Potel. Theatre journalist Fabienne Arvers met with stage director Krzysztof Warlikowski in Warsaw for us. And Klaudia Podsiadło shares her intimate knowledge of her country.
Also, on the occasion of the exhibition “Provoke: Between Protest and Performance, Photography in Japan 1960–1975” at LE BAL, we have attempted to decipher the historical importance and heritage left by the Japanese magazine published from 1968 to 1969. Even the title of the exhibition echoes what we have felt in Poland.