1.0The Eyeshttps://theeyes.eu/enVéroniquehttps://theeyes.eu/en/author/veronique-p/THE AFTERLIFE OF THE PHOTOGRAPHIC SUBJECT IN THE PHOTOGRAPHS OF NAN GOLDIN AND JULIA MARGARET CAMERON | The Eyesrich600338<blockquote class="wp-embedded-content" data-secret="TyT60SlxZn"><a href="https://theeyes.eu/en/shop/le-sujet-photo/">THE AFTERLIFE OF THE PHOTOGRAPHIC SUBJECT IN THE PHOTOGRAPHS OF NAN GOLDIN AND JULIA MARGARET CAMERON</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://theeyes.eu/en/shop/le-sujet-photo/embed/#?secret=TyT60SlxZn" width="600" height="338" title="“THE AFTERLIFE OF THE PHOTOGRAPHIC SUBJECT IN THE PHOTOGRAPHS OF NAN GOLDIN AND JULIA MARGARET CAMERON” — The Eyes" data-secret="TyT60SlxZn" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script>
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https://theeyes.eu/wp-content/uploads/le-sujet-photo/cover_afterlife_fr_final.jpg11811628Marwan T. Assaf The book is an exploration of an African concept of life after death known as Sasa and Zamani. Inspired by the work of Kenyan philosopher John Mbiti, Marwan T. Assaf examines our relationship with death, memory of the deceased and how these relate to photography. FIND OUT MORE ABOUT THE BOOK