{"version":"1.0","provider_name":"The Eyes","provider_url":"https:\/\/theeyes.eu\/en","author_name":"Admin The Eyes","author_url":"https:\/\/theeyes.eu\/en\/author\/admin-theeyes\/","title":"[:fr]ENTRE R\u00c9EL ET R\u00c9CIT, LA PHOTOGRAPHIE EN D\u00c9PLACEMENT[:en]BETWEEN REALITY AND NARRATIVE, PHOTOGRAPHY ON THE MOVE[:] | The Eyes","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"K4criMCCwo\"><a href=\"https:\/\/theeyes.eu\/en\/talks\/entre-reel-et-recit-la-photographie-en-deplacement\/\">BETWEEN REALITY AND NARRATIVE, PHOTOGRAPHY ON THE MOVE<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/theeyes.eu\/en\/talks\/entre-reel-et-recit-la-photographie-en-deplacement\/embed\/#?secret=K4criMCCwo\" width=\"600\" height=\"338\" title=\"&#8220;BETWEEN REALITY AND NARRATIVE, PHOTOGRAPHY ON THE MOVE&#8221; &#8212; The Eyes\" data-secret=\"K4criMCCwo\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/theeyes.eu\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/theeyes.eu\/wp-content\/uploads\/2025\/07\/melody-rondenet-1047.jpg","thumbnail_width":1620,"thumbnail_height":1080,"description":"THE EYES TALKS X LES RENCONTRES D&#8217;ARLES 2025 Led by V\u00e9ronique Prugnaud, associate director of The Eyes.With photographers Adam Ferguson (On Country: Photography from Australia), Todd Hido (The Light from Within), Ga\u00eblle Morel (Berenice Abbott, Anna Fox and Karen Knorr,\u00a0U.S. Route 1) and Rapha\u00eblle Peria (Crossing the Missing Fragment, Rapha\u00eblle Peria and Fanny Robin, 2025... View Article"}