{"version":"1.0","provider_name":"The Eyes","provider_url":"https:\/\/theeyes.eu\/en","author_name":"Admin The Eyes","author_url":"https:\/\/theeyes.eu\/en\/author\/admin-theeyes\/","title":"[:fr]QUEL POUVOIR POLITIQUE POUR L\u2019IMAGE PHOTOGRAPHIQUE AUJOURD\u2019HUI ?[:en]WHAT POLITICAL POWER DOES THE PHOTOGRAPHIC IMAGE HAVE TODAY?[:] | The Eyes","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"qhYNYqRA1G\"><a href=\"https:\/\/theeyes.eu\/en\/talks\/quel-pouvoir-politique-pour-limage-photographique-aujourdhui\/\">WHAT POLITICAL POWER DOES THE PHOTOGRAPHIC IMAGE HAVE TODAY?<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/theeyes.eu\/en\/talks\/quel-pouvoir-politique-pour-limage-photographique-aujourdhui\/embed\/#?secret=qhYNYqRA1G\" width=\"600\" height=\"338\" title=\"&#8220;WHAT POLITICAL POWER DOES THE PHOTOGRAPHIC IMAGE HAVE TODAY?&#8221; &#8212; The Eyes\" data-secret=\"qhYNYqRA1G\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/theeyes.eu\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/theeyes.eu\/wp-content\/uploads\/2025\/07\/eulalie-pernelet-1274.jpg","thumbnail_width":1567,"thumbnail_height":1080,"description":"THE EYES TALKS X LES RENCONTRES D&#8217;ARLES 2025 Led by Vincent Marcilhacy, associate director of The Eyes.With Walter Guadagnigni, curator of the exhibition Letizia Battaglia,\u00a0Always in search of life, Thyago Nogueira curator of the exhibition Claudia Andujar,\u00a0In place of the other, and photographer Zuzana Pustaiov\u00e1 (Safety Report).This round-table discussion questions photography&#8217;s capacity to act in... View Article"}