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FREE WORLDWIDE DELIVERY UNTIL DECEMBER 24
WITH THE code THEEYESX-MAS24
Guaranteed by December 24 for orders placed before December 15. Last shipment before christmas on December 18
(orders placed after this date will be shipped in January).
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Book
Tornades
39€ Add to cartMARINA GADONNEIX
This book is published within the framework of the Niépce Prize, with which The Eyes Publishing is associated since 2019. The publishing house offers the winner the publication of an artist’s edition limited to 400 copies.
In 2020, the Niépce Prize was awarded to Marina Gadonneix.
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Collector edition
FAIRE FACE. HISTOIRES DE VIOLENCES CONJUGALES (COLLECTOR EDITION)
225€ Add to cartLimited edition of FAIRE FACE with a signed, numbered print (edition of 6) on 5 images of your choice. Printed on Canson Rag Photo paper in 18x24cm format.
© Camille Gharbi
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Collector edition
OMALO (UNIQUE PIECE)
225€ Add to cart -
Collector edition
Fleurs du mal (limited edition)
360€ Add to cartAntoine d’Agata X CHARLES BAUDELAIRE
The work is based on the original uncensored edition of Baudelaire’s collection from 1857 accompanied by these strange engraved prints by d’Agata. Present and past are superimposed. Like a game of transparency that will present the frame of an image on the cover. In this work Fleurs du Mal, Baudelaire is a stroller, a spectator of the world around him, of urban transformations, while d’Agata embodies photography, life and reappropriates the space of the city by the gesture.
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Collector edition
TORNADES (limited edition)
315€ Add to cartTORNADES
Marina Gadonneix
Limited edition of TORNADES with a signed, numbered and framed print.
6 copies.This book is published as part of the Prix Niépce, with which The Eyes Publishing is associated since 2019. The publishing house offers the winner the publication of an artist’s edition limited to 400 copies.
The realization of the book is supported by Picto Foundation.
In 2020, the Niépce Prize was awarded by the association Gens d’Images to Marina Gadonneix. -
Collector edition
Fleurs du mal (limited edition)
360€ Add to cartAntoine d’Agata X CHARLES BAUDELAIRE
The work is based on the original uncensored edition of Baudelaire’s collection from 1857 accompanied by these strange engraved prints by d’Agata. Present and past are superimposed. Like a game of transparency that will present the frame of an image on the cover. In this work Fleurs du Mal, Baudelaire is a stroller, a spectator of the world around him, of urban transformations, while d’Agata embodies photography, life and reappropriates the space of the city by the gesture.
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Book
Fleurs du mal
45€ Add to cartANTOINE D’AGATA X CHARLES BAUDELAIRE
For Charles Baudelaire, the photographic medium (then from the beginning) was not an art but a technical means of representing reality. Yet it is a contemporary photographer, Antoine d’Agata, who today revisits Baudelaire’s texts and universe. As a counterpoint to Baudelaire, d’Agata reworks his own photographs through digital intervention to return to engraving, as if to move from the pixel to the line of the time. He pushes photography to its limits, mistreats it, does violence to it, discards the medium to return to the raw, to the essential, to the material, to a purified line.
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Collector edition
Fleurs du mal (limited edition)
360€ Add to cartAntoine d’Agata X CHARLES BAUDELAIRE
The work is based on the original uncensored edition of Baudelaire’s collection from 1857 accompanied by these strange engraved prints by d’Agata. Present and past are superimposed. Like a game of transparency that will present the frame of an image on the cover. In this work Fleurs du Mal, Baudelaire is a stroller, a spectator of the world around him, of urban transformations, while d’Agata embodies photography, life and reappropriates the space of the city by the gesture.
-
Collector edition
Fleurs du mal (limited edition)
Antoine d’Agata X CHARLES BAUDELAIRE
The work is based on the original uncensored edition of Baudelaire’s collection from 1857 accompanied by these strange engraved prints by d’Agata. Present and past are superimposed. Like a game of transparency that will present the frame of an image on the cover. In this work Fleurs du Mal, Baudelaire is a stroller, a spectator of the world around him, of urban transformations, while d’Agata embodies photography, life and reappropriates the space of the city by the gesture.
Out of Stock
360€ -
Collector edition
Fleurs du mal (limited edition)
360€ Add to cartAntoine d’Agata X CHARLES BAUDELAIRE
The work is based on the original uncensored edition of Baudelaire’s collection from 1857 accompanied by these strange engraved prints by d’Agata. Present and past are superimposed. Like a game of transparency that will present the frame of an image on the cover. In this work Fleurs du Mal, Baudelaire is a stroller, a spectator of the world around him, of urban transformations, while d’Agata embodies photography, life and reappropriates the space of the city by the gesture.
-
Collector edition
Fleurs du mal (limited edition)
360€ Add to cartAntoine d’Agata X CHARLES BAUDELAIRE
The work is based on the original uncensored edition of Baudelaire’s collection from 1857 accompanied by these strange engraved prints by d’Agata. Present and past are superimposed. Like a game of transparency that will present the frame of an image on the cover. In this work Fleurs du Mal, Baudelaire is a stroller, a spectator of the world around him, of urban transformations, while d’Agata embodies photography, life and reappropriates the space of the city by the gesture.
-
Collector edition
Fleurs du mal (limited edition)
360€ Add to cartAntoine d’Agata X CHARLES BAUDELAIRE
The work is based on the original uncensored edition of Baudelaire’s collection from 1857 accompanied by these strange engraved prints by d’Agata. Present and past are superimposed. Like a game of transparency that will present the frame of an image on the cover. In this work Fleurs du Mal, Baudelaire is a stroller, a spectator of the world around him, of urban transformations, while d’Agata embodies photography, life and reappropriates the space of the city by the gesture.