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Featured Products
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Magazine, Collector edition
B-SIDE- Sofia Yala Rodrigues
135€ Add to cartPHOTOGRAPHY . AFROPEAN . FUSION
B-Side Special edition
B-Side + a print by Sofia Yala Rodrigues, signed and numbered.
5 editions.
B-Side, invites its readers to a visual exploration of what it means to be Afropean, a notion of expertise of our guest curator Johny Pitts, British photographer and author.
Historical and contemporary photographers, seminal and singular books and journals will explore the diversity of black identities as experienced in Europe.
150€
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Collector edition
Les oubliées (limited edition)
225€ Add to cartAnaïs Boudot . Pablo Picasso . BRASSAÏ
Anaïs Boudot has created a series of works on a set of anonymous glass plates from her collection, all of which represent female figures. A modernity in the materials, in the light as well as in the tone that both challenges and imposes itself in this vis-à-vis with Picasso and Brassaï.
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Collector edition
Les oubliées (limited edition)
225€ Add to cartAnaïs Boudot . Pablo Picasso . BRASSAÏ
Anaïs Boudot has created a series of works on a set of anonymous glass plates from her collection, all of which represent female figures. A modernity in the materials, in the light as well as in the tone that both challenges and imposes itself in this vis-à-vis with Picasso and Brassaï.
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Collector edition
Les oubliées (limited edition)
225€ Add to cartAnaïs Boudot . Pablo Picasso . BRASSAÏ
Anaïs Boudot has created a series of works on a set of anonymous glass plates from her collection, all of which represent female figures. A modernity in the materials, in the light as well as in the tone that both challenges and imposes itself in this vis-à-vis with Picasso and Brassaï.
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Collector edition
Fleurs du mal (limited edition)
Antoine d’Agata X CHARLES BAUDELAIRE
The work is based on the original uncensored edition of Baudelaire’s collection from 1857 accompanied by these strange engraved prints by d’Agata. Present and past are superimposed. Like a game of transparency that will present the frame of an image on the cover. In this work Fleurs du Mal, Baudelaire is a stroller, a spectator of the world around him, of urban transformations, while d’Agata embodies photography, life and reappropriates the space of the city by the gesture.
Out of Stock
360€ -
Collector edition
Fleurs du mal (limited edition)
Antoine d’Agata X CHARLES BAUDELAIRE
The work is based on the original uncensored edition of Baudelaire’s collection from 1857 accompanied by these strange engraved prints by d’Agata. Present and past are superimposed. Like a game of transparency that will present the frame of an image on the cover. In this work Fleurs du Mal, Baudelaire is a stroller, a spectator of the world around him, of urban transformations, while d’Agata embodies photography, life and reappropriates the space of the city by the gesture.
Out of Stock
360€ -
Book
Fleurs du mal
45€ Add to cartANTOINE D’AGATA X CHARLES BAUDELAIRE
For Charles Baudelaire, the photographic medium (then from the beginning) was not an art but a technical means of representing reality. Yet it is a contemporary photographer, Antoine d’Agata, who today revisits Baudelaire’s texts and universe. As a counterpoint to Baudelaire, d’Agata reworks his own photographs through digital intervention to return to engraving, as if to move from the pixel to the line of the time. He pushes photography to its limits, mistreats it, does violence to it, discards the medium to return to the raw, to the essential, to the material, to a purified line.
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Book
Fleurs du mal
45€ Add to cartANTOINE D’AGATA X CHARLES BAUDELAIRE
For Charles Baudelaire, the photographic medium (then from the beginning) was not an art but a technical means of representing reality. Yet it is a contemporary photographer, Antoine d’Agata, who today revisits Baudelaire’s texts and universe. As a counterpoint to Baudelaire, d’Agata reworks his own photographs through digital intervention to return to engraving, as if to move from the pixel to the line of the time. He pushes photography to its limits, mistreats it, does violence to it, discards the medium to return to the raw, to the essential, to the material, to a purified line.
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Collector edition
Fleurs du mal (limited edition)
360€ Add to cartAntoine d’Agata X CHARLES BAUDELAIRE
The work is based on the original uncensored edition of Baudelaire’s collection from 1857 accompanied by these strange engraved prints by d’Agata. Present and past are superimposed. Like a game of transparency that will present the frame of an image on the cover. In this work Fleurs du Mal, Baudelaire is a stroller, a spectator of the world around him, of urban transformations, while d’Agata embodies photography, life and reappropriates the space of the city by the gesture.
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Book
Fleurs du mal
45€ Add to cartANTOINE D’AGATA X CHARLES BAUDELAIRE
For Charles Baudelaire, the photographic medium (then from the beginning) was not an art but a technical means of representing reality. Yet it is a contemporary photographer, Antoine d’Agata, who today revisits Baudelaire’s texts and universe. As a counterpoint to Baudelaire, d’Agata reworks his own photographs through digital intervention to return to engraving, as if to move from the pixel to the line of the time. He pushes photography to its limits, mistreats it, does violence to it, discards the medium to return to the raw, to the essential, to the material, to a purified line.
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Book
Changing times: Art facing a new world
20€ Add to cartAtlas – In the field of Parallel program
“Changing times: Art facing a new world” brings together proposals from artist world and authors inviting us to question how the world of art and more specifically the visual art – can act, react and interact in the face of the constantly changing environment in which we live.
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Magazine
The Eyes #11 (special edition) – SMITH
250€ Add to cartTRANSGALACTIC
PHOTOGRAPHY. GENDER. TRANSITION
Carte blanche to SMITH & PITON
For this eleventh issue, The Eyes team invites artist-researcher SMITH and performer and curator Nadège Piton to sketch a subjective panorama of the place played by photography in the construction of the (trans)gender.
With a print by SMITH (15 x 21 cm).
Part of the proceeds from the special edition is donated to the Accepess-T association.