ME-XILE
family. Uprooted. Becoming
Graphic design: Sarah Boris Studio
17 x 24 cm- 224 pages
French and English (separate versions)
25€
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ME-XILE
FAMILY. UPROOTED. BECOMING
Sabyl Ghoussoub guest curator
The Eyes invites Lebanese-born writer Sabyl Ghoussoub to explore the link between photography and exile. This issue invites us to reflect on how art can help to reconstruct a fragmented identity.
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FRACTURE
25€ Add to cartECOLOGY. TIME. HUMANITY
Guest curator Chloe Dewe Mathews
For its 14th issue, entitled “Fracture”, The Eyes invites British photographer and video artist Chloe Dewe Mathews to explore the intimate link between photography, nature and environmental destruction.
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Magazine
(AFTER)CARE
25€ Add to cartTRAUMA. VULNERABILITY. ACCOUNTABILITY
Laia Abril guest curator
With this issue entitled “(After)care”, The Eyes explores the methods and approaches of photographers who address the most traumatic chapters of our individual and collective histories.
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Book
PATRIA
39€ Add to cartOLEÑKA CARRASCO
The book PATRIA is a moving account of the mourning of the father, of the questions of identity that it raises, and more generally of the history of Venezuela and its exiles since 2015, the date of the artist’s last trip to his native country.
Please specify your choice of language (French, English, Spanish) in the comment field at the time of purchase.
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Conversations, Vol. 1
Rémi coignet
Conversations is a book of interviews with contemporary photographers, conducted by Rémi Coignet, photo book critic. The aim is to give a prominent place to photographers, so that they can make their voices heard in the field of publishing, often forgotten in favour of those of critics, journalists and curators.
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Joaquín Collado’s work can be understood as a visual essay on the city and its inhabitants, an exercise in collective memory and in meeting others.
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christer strömholm
This photographic autobiography details the many journeys of the great photographer Christer Stromhölm around the world in a book constructed as an existentialist diary.
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