NO SOVEREIGN AUTHOR

And the patients of the psychiatric day center “La Fabrique du Pré”

The book Un Abécédaire de la Psychiatrie is the fruit of a collaboration between the artists of the duo No Sovereign Author and the patients of the psychiatric day center “La Fabrique du Pré”, located in Nivelles, Belgium. Presented in the form of a dictionary, the book invites us to rethink the world of psychiatry through the eyes of patients. 

3 different covers available, you can specify your choice in comments at the time of purchase

Manon Lanjouère

Particles, a human tale of dying water, a poetic and photographic manifesto for ocean preservation.

Through a poetic and artistic approach, this book invites deep reflection on ocean pollution. Each image, through its plastic beauty, invites contemplation, but also, through its visual force, action. A book that testifies to the power of artistic creation to transform society.

OLEÑKA CARRASCO

The book PATRIA is a moving account of the mourning of the father, of the questions of identity that it raises, and more generally of the history of Venezuela and its exiles since 2015, the date of the artist’s last trip to his native country.

Please specify your choice of language (French, English, Spanish) in the comment field at the time of purchase.

ANAÏS BOUDOT . PABLO PICASSO . BRASSAÏ 

based on an original idea of the Eyes

Anaïs Boudot has created a series of works on a set of anonymous glass plates from her collection, all of which represent female figures. A modernity in the materials, in the light as well as in the tone that both challenges and imposes itself in this vis-à-vis with Picasso and Brassaï.

MARINA GADONNEIX 

This book is published within the framework of the Niépce Prize, with which The Eyes Publishing is associated since 2019. The publishing house offers the winner the publication of an artist’s edition limited to 400 copies.

In 2020, the Niépce Prize was awarded to Marina Gadonneix.

ANTOINE D’AGATA X CHARLES BAUDELAIRE

For Charles Baudelaire, the photographic medium (then from the beginning) was not an art but a technical means of representing reality. Yet it is a contemporary photographer, Antoine d’Agata, who today revisits Baudelaire’s texts and universe. As a counterpoint to Baudelaire, d’Agata reworks his own photographs through digital intervention to return to engraving, as if to move from the pixel to the line of the time. He pushes photography to its limits, mistreats it, does violence to it, discards the medium to return to the raw, to the essential, to the material, to a purified line.

artistic parallel

An artist’s book bringing together 27 photographs by Antoine d’Agata and 25 graphic works by Francis Bacon.