The Eyes #2
the eyes #2
Editorial
Welcome to The Eyes n0 2, more visual, more punchy and even more innovative. What’s evolving? Essen- tially what we want to share with you!
We are strengthening our European commitment. Photography is the essential way to observe, understand and remember. Whether it is the clashes between thousands of unemployed and poor Bosnians and their police, or the live-fire shooting by Ukrainian police in Kiev against EU supporters demonstrating – nearly a hundred dead and hundreds injured – or the homophobia of Russian leaders in Sochi, photographers alert us and speak to us. Through images and in-depth texts, The Eyes deciphers Europe and its present history. As in this issue 2, which questions the rise of populism on the eve of the European elections or invites us to take a behind-the-scenes trip to Sarajevo almost twenty years after the 1992 siege.
We also share with you the magic of photo-graphics and the great events that bring it to life. In L’autre Cartier-Bresson, The Eyes offers an unexpected image of the trajectory of the great photo-graph exhibited in Paris at the Centre Georges Pompidou. In Inside London, encounters with Tate curator Simon Baker and photographer Stephen Gill feed our curiosity about the British capital, the guest of this second issue.
Together, we explore and invent the new practices proposed to photography and the press by “connected paper”! The Eyes n° 2 is enriched with original experiences in augmented reality – 3D vision devices, videos or book browsing – and offers free access to a complementary iPad version.
Everything you ever wanted to know about Eu- rope and photography is in The Eyes. In a common thirst to understand the movements of photography and the European future, we offer you, beyond the magazine, cultural events* and invite you to join The Eyes Club to accompany our reflections and ensure our independence.
TABLE OF CONTENTS
IMAGOSNEAK PEEKSCamille Hunt Pauline Vermare, Anne Biroleau…
TRAJECTORYL’autre Cartier-Bresson
DISCOVERYMartin Atanasov Blue
MOTIONLa dolce vita
DIALOGUELinking worlds
| EUROPAMERGINGMartin Kollar Field Trip
AGITATINGThe Roma in Europe
HEADINGEuropean populisms
TerritoRIESMarc Wendelski
BEHIND THE DOORSCentre André-Malraux
IMAGININGAgnès Troublé I gave the heart of Sarajevo
| AGORAreNDEZ-VOUSEmmanuel Hamon Art Paris Art Fair
IndiscrétionsFlorence et Damien Bachelot
BIBLIOMANIAConversation
Reviews Laurence Vecten Russet Lederman Marc Feustel Jeffrey Ladd Rémi Coignet
PHOTOPOLIS• p. 152 Inside London Londres, Beauty on the Margin
PHOTOPOLIS • p. 164 Photo city guide
PHOTOPOLIS • p. 174 Stephen Gill Harmony, chaos and confusion |
CONTRIButoRS
Christian Caujolle Former head of photography at Libération, founder of the VU Agency, director of the gallery of the same name, Christian Caujolle is today an author and independent curator. He is the artistic director of the Phnom Penh Photo Festival.
Marc Feustel Marc Feustel is an author, publisher and independent curator.
Amaury Chardeau Animator and producer at France Culture | Jeffrey Ladd Photographer and writer based in Cologne.
Russet Lederman A graduate of the School of Visual Arts, New York, she co-founded 10 x 10 Photobooks.
Laurence Vecten is a photo director for the press. She created in 2007
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